Insane Clown Posse Album Art Son Shall Not Bare the Sins of His Father

In Music, artists and groups are influenced by earlier ones. As a result, near artists and groups perform and play several covers of their favourite songs. In many cases, said artists and groups record them. Said versions can exist more famous then the original recording or even surpass it, in quality. These covers tin likewise be entirely dissimilar to the original, whether it be in manner, gender or meaning.

A Cover Anthology is what happens when you compile several of these Comprehend Versions together and exclusively in one album.

There are basically ii kinds of this:

• The Tribute Album: In this kind of album, some artist(s) or group(s) is/are tributed by many other ones by doing Comprehend Versions of the original songs the tributed one(s) had composed. Very seldom, some original songs may be introduced, generally by showing what the bands do or a vocal specially composed for the album. These Tribute Albums may be washed in guild to celebrate some milestone (X Years of...) or merely for the pleasure of tributing the artist(south) or grouping(s).
• The Single-Creative person Tribute: This is where merely one artist or grouping does all the covering job. Artists may practice this for a variety of reasons. It might be that they want to take a product out there but don't accept any new material at the moment, or they could be trying to pump some life into a stalled career by recording a bunch of familiar songs whose popularity has already been established. Information technology tin be an honest desire to pay tribute to songs and artists they savor, or it could just be for fun.

See also Cover Version, Covered Up, The Cover Changes the Gender, The Comprehend Changes the Meaning and Suspiciously Like Song. Compare and contrast with Remix Album.

As a note for the tropers: We're talking virtually recordings, whether these are live recordings or studio ones, and said recordings should consist simply of covers. There may be exceptions with i or two (no more) original songs.

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Examples:

See likewise this listing at That Other Wiki.

Tribute Albums:

• The Heavy Metal genre is very fond of this:
  • Iron Maiden has many of these.
  • Helloween has substantially four: The Keepers of Jericho Vol. I & II, The Eastern Tribute to Helloween and HelloRay, shared with Gamma Ray.
  • Judas Priest has also some of these: both volumes of Legends of Metal, Hell Bent for Metallic, Hell Bent Forever and The Metal Forge Vol. 1: A Tribute to Judas Priest, which covers British Steel in its entirety.
  • Dream Theater: Voices: A Tribute to Dream Theater, and Sin City: The Dreams Become On.
    • Of note about Voices... is that the album is actually composed of two CDs: one with the aforementioned Dream Theater covers, and the other with original songs past the aforementioned bands. We care for the first CD anyway.
  • Metallica has many as well: Metal Militia, Metallic Assail, Kerrang's Tribute to Principal of Puppets and then on. 2021's The Metallica Blacklist comprises 53 songs roofing the 12 tracks of The Black Anthology including 12 versions of Nothing Else Matters.
  • And, of form, Blackness Sabbath's Nascence in Black Vol. ane & 2 and Evil Lives: A Tribute to Blackness Sabbath, among others...
  • Queensrÿche'southward Warning Minds of Raging Empires.
  • Megadeth's Megaded.
  • Ronnie James Dio had three, two of them afterward his death.
  • Re-Machined: A Tribute to Deep Regal'due south Machine Head had many heavy hitters roofing the seminal metal ring's all-time known anthology.
  • Summoning has In Mordor Where the Shadows Are: A Tribute to Summoning.
• We're a Happy Family: A Tribute to Ramones. There are many, many Ramones tribute albums out at that place, but this ane's notable for featuring lots of well-known artists such every bit Metallica ("53rd & 3rd"), Rob Zombie ("Blitzkrieg Bop"), Red Hot Chili Peppers ("Havana Affair") and Tom Waits ("Return of Jackie and Judy"). The album was produced by Zombie and Johnny Ramone, who had creative control over the project, right down to personally sequencing the tracklisting himself.
  • Let'south just say you may never hear "The KKK Took My Babe Away" the same way again afterward y'all hear Marilyn Manson singing it; your ideas about U2 may exist upended besides when you hear their version of "Vanquish on the Brat".
• Stay Awake, which consists entirely of covers of Disney songs by various artists.
• Howdy Radio, a tribute to They Might Be Giants.
• Legacy: A Tribute to Fleetwood Mac's Rumours, where assorted artists (Jewel, Shawn Colvin, Elton John) cover a song from the Rumours album.
• Kick at the Darkness, a tribute album to the Canadian vocalist Bruce Cockburn. Yielded a Covered Up version of his vocal "Lovers in a Dangerous Time", washed past the Barenaked Ladies on that album, and now almost people don't know nearly the original.
• Leonard Cohen has had a few:
  • I'one thousand Your Fan: The Songs of Leonard Cohen, a 1991 release featuring various alt-rock acts (including The Pixies, R.E.M., and Nick Cave) covering Cohen classics.
  • Tower of Vocal, a 1995 release featuring more mainstream artists like Baton Joel, Tori Amos, Willie Nelson and Suzanne Vega
  • The Songs of Leonard Cohen Covered, a 2012 release compiled past Mojo magazine.
• Concert for George, a 2002 tribute to George Harrison, available on CD and DVD.
• Mutual Thread: The Songs of the Eagles: Eagles songs performed past state artists.
• This Bird Has Flown: An indie rock tribute to The Beatles' Prophylactic Soul.
  • Similarly, Sgt. Pepper Knew My Begetter was a do good anthology for a kid-corruption charity that had diverse artists roofing all of Sgt. Pepper's Lonely Hearts Gild Band. The most well-known contributors included WetWetWet (whose version of "With a Little Help from My Friends" went to number one), Sonic Youth and The Fall.
• Shaken and Stirred: The David Arnold James Bond Projection was a 1997 anthology of covers of James Bond theme tunes by contemporary artists. The producer David Arnold went on to compose the music for the Bail films from Tomorrow Never Dies onward.
• Dub Side of the Moon, a reggae cover of Pink Floyd's The Dark Side of the Moon.
  • Likewise, parody group Big Daddy did a version of The Beatles' Sgt. Pepper'southward Lonely Hearts Club Ring equally if it was recorded in the 1950s.
  • The same grouping, Easy Star All-Stars, accept also done dub reggae cover versions of OK Estimator and Sgt. Pepper's Lonely Hearts Club Band called Radiodread and Like shooting fish in a barrel Star's Lonely Hearts Dub Band, respectively.
• A Century of Covers, a tribute to Belle & Sebastian.
• Stereogum Presents... OK 10: A Tribute to OK Computer: An indie tribute to Radiohead's OK Computer. Notable for featuring a contribution from the then-well-nigh unknown Vampire Weekend about half dozen months earlier the release of their quantum debut album.
• Seven Swans Reimagined : Sufjan Stevens' album Seven Swans covered by various indie musicians.
• Duran Duran merited no fewer than three tribute albums, all inside the bridge of three years (1997 - 2000): The Duran Duran Tribute Album, featuring late '90s alt-rockers such as Deftones and Less Than Jake; UnDone: The Songs of Duran Duran, featuring Australian musical artists such as Ben Lee (with Kylie Minogue) and Something for Kate; and Mucilage: A Tribute to the Music of Duran Duran, a fan-driven covers album project that benefited RAINN (the Rape, Corruption and Incest National Network).
• Spin Magazine put together Nevermind: A Tribute, an anthology that featured various artists roofing the entirety of Nirvana's Nevermind, in honor of that album's tenth anniversary. Peradventure most notable for featuring two bands who went from beingness Covered Up by Nirvana to doing Nirvana cover songs themselves (The Meat Puppets and The Vaselines).
  • In a like vein, Japanese characterization Far E Tribe Records pulled together a Nevermind tribute album for the album'southward twentieth ceremony, but called Nevermind Tribute. The album is responsible for getting several bands noticed in the westward for the first time, such as ONE OK ROCK and Man With a Mission.
• RAM by Paul and Linda McCartney was the field of study of three out of the blue tribute albums in recent years: Ram on L.A. and TOM were released within weeks of each other in 2009, and in 2011 a Portland musician released a re-cosmos of the album chosen The RAM Projection.
• A Led Zeppelin tribute album called Encomium was released in 1995, and features covers washed by various alternative and pop groups from The '90s, including Hootie & the Blowfish, Rock Temple Pilots, Duran Duran, four Non Blondes, and the Rollins Band, amidst others.
• In 1994, a bunch of Country Music artists got together to record a Lynyrd Skynyrd tribute called Skynyrd Frynds.
• Also in 1994 came Kiss My Ass: Classic Kiss Regrooved, featuring (among others) Lenny Kravitz, Stevie Wonder, Extreme, Anthrax, Yoshiki (from X Nihon), and members of Rage Confronting the Auto and Audioslave. Plus Kiss themselves on a straight remake of "Difficult Luck Adult female"... but this time with Garth Brooks on pb vocals.
• 1995's A Testimonial Dinner; the Songs of XTC. This one included a contribution from a group calling themselves "Terry & The Lovemen"...who were actually XTC themselves in disguise, and their contribution was a previously unreleased song that had been left off their 1989 album Oranges & Lemons.
• 1996 saw the release of "Schoolhouse Rock Rocks", a tribute album to Schoolhouse Rock!. Highlights include Blind Melon's "Three's a Magic Number" and Amend Than Ezra'southward "Conjunction Junction".
• Whore: Various Artists Play Wire.
• 1991's Two Rooms: Jubilant the Songs of Elton John and Bernie Taupin. Notable for Kate Bush-league's comprehend of "Rocket Human being" and The Who'due south cover of "Sabbatum Night's Alright (For Fighting)"; Elton John is one of the few recording artists to e'er cover The Who, with his version of "Pinball Wizard".
• Mojo magazine curates ane of these with pretty much every issue it releases, mostly focusing on covers of one creative person or ane specific album. The theme of the CD always ties in with a story in the consequence.
• For the Masses, a Depeche Mode tribute anthology released in 1998, mainly featured contemporary Culling Rock bands (such equally Deftones, The Smashing Pumpkins, Veruca Salt), with a few Electronic Music artists (Meat Shell Manifesto, Apollo Four Forty) contributing likewise. It'southward also notable for focusing entirely on Depeche Mode songs written by Martin Gore, and for having a comprehend designed by Martyn Atkins, who frequently worked with Depeche Manner themselves as a graphic designer or video director. Additionally, Marilyn Manson were going to contribute a version of "Personal Jesus" to this anthology, but couldn't due to scheduling conflicts — they finally covered the song six years later and used it every bit a new rails for their ain Greatest Hits Album instead.
• Virus 100, a Dead Kennedys tribute album that gets its name from the fact that it was the 100th release for Jello Biafra'south label Alternative Tentacles. It mainly featured artists who were signed to Alternative Tentacles themselves, but notable outside contributors included Sepultura, Faith No More, L7, and Napalm Death. The album had a practiced deal of arrangements that completely changed the genre of the original vocal — aside from the metal covers, you accept Faith No More playing "Allow'due south Lynch the Landlord" equally a lounge song, Mojo Nixon's country version of "Winnebago Warrior", NoMeansNo'south a capella version of "Forward to Death", The Dispensable Heroes of Hiphoprisy'southward rap version of "California Über Alles" (with updated lyrics focusing on then-current California governor Pete Wilson), and Kramer turning "Insight" into an eerie carol with synthesized orchestration.
• Ascent In a higher place: 24 Black Flag Songs to Benefit the West Memphis Iii is in an odd gray expanse between being a tribute album and a single creative person tribute, but for convenience, let's place it hither: The album consisted of the current lineup of the Rollins Band collaborating with dissimilar vocalists on covers of Blackness Flag songs.
• Tom's Album is unusual in that it's basically a tribute album to one vocal: It features twelve versions of "Tom's Diner" by Suzanne Vega — the original vocal and instrumental versions that book-concluded Suzanne Vega's anthology Confinement Standing, plus a choice of remixes, covers, parodies, or other songs that just prominently sample information technology, all curated by Vega herself. The anthology was primarily inspired by the popularity of DNA's remix of the song, which is included ^note Dna also contributed the only non-"Tom'south Diner" song to the album, a remix of Suzanne Vega's "Rusted Pipe". Aside from the concept, the anthology is notable for featuring a baroque cover of the song past Bingo Hand Job, a one-off collaboration between R.E.M. and Billy Bragg.
• Star Ability!, 20 Explosive Dynamic Super Smash Hit Explosions!, and 20 More Explosive Fantastic Rockin' Mega Smash Striking Explosions! are a trilogy of albums released by Pravda Records in the '90s, which featured indie and punk artists covering '70s AM radio hits: The verbose and/or excited album titles were coupled with deliberately garish, center-searing cover art equally a parody of Yard-tel compilations of the fourth dimension. Many of the artists who contributed are fairly obscure today, but 20 Explosive Dynamic Super Smash Hit Explosions! features the The Not bad Pumpkins covering "Jackie Blue" by southern rock band The Ozark Mountain Daredevils, while 20 More than Explosive Fantastic Rockin' Mega Smash Hit Explosions! has King Missile's considerably snarkier version of "Nonetheless the One" by Orleans ^note which may be an elaborate gag near a case of Proper noun's the Same - The Orleans song was sung and co-written by John Hall, while the main fellow member of Rex Missile is John S. Hall.
• If I Were a Carpenter, a 1994 compilation featuring contemporary culling artists covering songs written/made famous by the 70s pop duo Carpenters.
• Sat Morning: Cartoons' Greatest Hits from 1995 featured artists covering songs from '60s and '70s children'southward TV shows, such as Spider-Human: The Animated Series by The Ramones and Underdog by Butthole Surfers.
• Fearless Records' Punk Goes... tribute series features bands similar Pierce the Veil, August Burns Cerise, and others covering songs in various genres, similar Punk Goes Pop, Punk Goes Metal, and hysterically enough, Punk Goes Crunk.
• Urban Renewal, a soul, R&B, and hip hop tribute to Phil Collins featuring Brandy and Ol' Dirty Bounder among others. The album came most because the publishers of Collins' songs noticed a notable amount of artists in those genres asking about roofing or sampling his music - As explained in Pop-Culture Isolation, Phil Collins' solo work was popular with a generation of black audiences who heard his eighties hits on "urban" radio stations only didn't know of his roots in Progressive Rock with Genesis. It received negative reviews for existence a Phil Collins tribute anthology released at the time of his hatedom's tiptop.
• Twisted Forever – A Tribute to the Legendary Twisted Sister.
• The Power & The Passion, where Australian bands embrace Midnight Oil.
• Sharin' in the Groove, featuring covers of Phish songs. This album is a fleck of a twist on a typical tribute album; Instead of featuring artists inspired past Phish, information technology instead included songs from acts who were contemporaries of the ring (Los Lobos, Pavement side-projection The Preston School of Industry), artists who were influences on Phish (Son Seals, Fiddling Feat, Tom Tom Club), famous admirers of the band (Jimmy Buffett, Arlo Guthrie) or friends with its members (Boredoms, Dave Matthews, Phish lyricist Tom Marshall's band Amfibian). The album even includes a contribution from Phish frontman Trey Anastasio, who composed an orchestral medley of 2 Phish songs, performed for the project by the Vermont Youth Orchestra.
• Songs From The Neighborhood is this for the Tv set series Mister Rogers' Neighborhood, with artists like Amy Grant and Donna Summer performing songs that Fred Rogers sung on his serial. The album also includes a Rewritten Pop Version of "Thank you For Beingness You", a song from some other PBS Kids show, The Noddy Shop. A sequel album, Thank you, Mister Rogers: Music & Memories, featuring artists similar Tom Bergeron and Kellie Pickler, was released in 2019, featuring many of the same songs.
• The compilation album When Pigs Wing: Songs Yous Never Idea Y'all'd Hear, featuring artists such as Devo, The Oak Ridge Boys, Ani DiFranco and Jackie Chan, Roy Clark, and Herman'due south Hermits roofing popular songs they'd be considered unlikely to cover (such as Herman's Hermits covering Billy Idol's "White Wedding" and the Oak Ridge Boys performing Kansas' "Carry on Wayward Son").
• Conservancy - Inspired past The Cranberries, featuring covers of The Cranberries by Irish musicians like Sinéad O'Connor.
• Bob Dylan In The 80'south: Volume 1, a Bob Dylan tribute album specifically focused on his output from 1980 to 1990 (including songs from the era that weren't officially released and songs that were technically past The Traveling Wilburys
• The Rocky Horror Punk Stone Prove was songs from The Rocky Horror Picture Bear witness covered by various Punk Rock bands.
• There are two major Grateful Expressionless tribute albums:
  • Deadicated: A Tribute to the Grateful Dead from 1991 had the endorsement of Dead frontman Jerry Garcia, who especially liked the contributions from Midnight Oil, Jane'due south Addiction, and long-time Deadhead Elvis Costello.
  • Day of the Dead, from 2015, was a triple-disc ready curated by members of The National and featuring contributions from Wilco, The Flaming Lips, Lucinda Williams and more. Dead members Bob Weir and Bruce Hornsby even show up on a few of the tracks.

Single Artist Tributes:

• Rock 'n' Roll by John Lennon.
• Garage Inc. by Metallica.
• "The Spaghetti Incident?" by Guns N' Roses.
  • Brazilian band Ratos de Portão spoofed this with "Feijoada Acidente?" ◊ , which had two versions, Brasil (local punk bands, including RxDxPx themselves) and International.
• Undisputed Attitude, by Slayer (but while the band is Thrash Metal, the songs are Hardcore Punk covers, and a few original songs in Hardcore Punk way.) ^note two of those "originals" are sort of covers, if yous count songs originally written for other groups: "DDAM" and "Can't Stand Y'all" were leftover songs from Jeff Henneman'due south short-lived hardcore side-projection Pap Smear.
• Feedback by Rush. Released in honour of the grouping's 30th anniversary is a collection of favorite 1960s songs.
• Songs from the Mirror by Fish.
• Thank You by Duran Duran.
• Famous Blue Raincoat past Jennifer Warnes.
• Hymns of the 49th Parallel by k.d. lang.
• Strange Little Girls by Tori Amos is loosely themed as "covers of songs written by men about women".
• Other People's Songs past Erasure.
• Any album by Pat Boone.
• A Vocaliser Must Dice by Steven Page and the Art of Fourth dimension Ensemble.
• Peter Gabriel's Scratch My Back.
  • Though it's closer in form to a Tribute Album, And I'll Scratch Yours is a companion piece: The original concept was to accept all of the artists who Gabriel covered on Scratch My Back record Peter Gabriel covers themselves. In the terminate, iv of the artists covered on Scratch My Back declined to tape annihilation for And I'll Scratch Yours, and 2 artists who Peter Gabriel didn't cover at all ^note (or three such artists if you count Brian Eno: Scratch My Back included a version of "'Heroes'" past David Bowie, and while Eno co-wrote the song and was a collaborator with Bowie throughout the album of the same name, he merely stepped in when Bowie himself declined to appear on the album) appeared on the album just to make upward the difference.
• The Band's Moondog Matinee.
• Johnny Cash'south American Recordings.
• David Bowie'due south Pin Ups.
• Ozzy Osbourne'southward Under Comprehend.
• Bob Seger's Smokin' O.P.'south.
• Dream Theater take a fondness for tributing their influences. They've covered and recorded several classic albums on stage, such as Atomic number 26 Maiden's The Number of the Animal, Metallica'due south Master of Puppets, Pink Floyd's The Dark Side of the Moon and Deep Purple's Fabricated In Japan. Recently, they've launched a special edition of their latest anthology with a Encompass Album featuring half dozen different covers. Not to mention both volumes of the official bootleg Uncovered.
  • Their keyboardist Jordan Rudess has also released at to the lowest degree iii albums consisting largely of covers. Possibly virtually notable is The Road Home, which, except for i track, consists of covers of classic Progressive Rock material (with Emerson, Lake & Palmer's "Tarkus" probably being the virtually impressive; Keith Emerson himself, who was sparse with his praise for others' performances of his textile, loved information technology). 4 of these are full band arrangements and the 5th is a piano-and-voice medley of four songs. ("Piece of the π" is an original instrumental.) He too has two albums that consist largely of covers, simply just barely miss the cutoff for this trope due to containing as well many original songs. ^note Notes on a Dream consists of Dream Theater covers (apart from three originals) and The Unforgotten Path consists (apart from 4 originals) of arrangements of songs from various genres, most quite well known. Both of these are entirely solo piano albums.
• Helloween's Metal Jukebox.
• Queensrÿche'south Take Cover.
• Stryper's The Covering.
• Axel Rudi Pell'south Diamonds Unlocked.
• Hammerfall'south Masterpieces.
• Sepultura'south Revolusongs EP.
• From Sepultura's native Brazil, at that place are a few cases, but to highlight ones in English (which are also unmarried artist tributes), Matanza'south To Hell with Johnny Cash, and Zé Ramalho Canta ◊ Beatles (Ramalho as well had one with ◊ Bob Dylan, though at that place he made Portuguese versions of the songs).
• Nineteeneighties by Grant-Lee Phillips covers songs from The '80s.
• The Cover Tape, Covers and Jukebox past True cat Power. The latter does have two originals, one of which is a rearranged version of "Metallic Heart", one of her earlier songs.
• Covers, an EP by Greg Laswell.
• Primus' Rhinoplasty has two live recordings of Primus' original songs as "bonus tracks", merely since this trope allows at least one or two original songs, it counts.
• Renegades by Rage Against the Machine is all well-nigh covers.
• The Flaming Lips' The Flaming Lips and Stardeath and White Dwarfs with Henry Rollins and Peaches Doing Pinkish Floyd's The Dark Side of the Moon. Accept a wild approximate as to what album is existence covered.
• Susanna Hoffs and Matthew Sweet (aka "Sid and Susie"), Under the Covers Vol. 1 (favorite songs from The '60s), Vol. 2 (The '70s), and Vol. three (The '80s).
• Bob Dylan's (frequently overlooked) self-titled commencement anthology, Bob Dylan (1962) was composed almost entirely renditions of folk standards, with merely two (not particularly inspired) original compositions.
  • Likewise Self Portrait (most of information technology), Dylan, Down in the Groove (most of it), Good as I Been to You, World Gone Wrong and Christmas in the Heart, also equally his three albums of standards, Shadows In The Night, Fallen Angels and Triplicate. It's condom to say Dylan likes cover albums.
• Similarly, Anne Brigg's self-titled LP was eight tracks of English folk songs with two original songs.
• The Russian Album past Paul McCartney (originally a USSR-exclusive release, but went international in 1991)
  • Run Devil Run is an accidental subversion; it was intended to be a Cover Album and is by and large covers, but two of the three original songs on information technology are perhaps the best-known on the album. (This is what you get when you permit someone else to pick which songs brand the album.)
  • Kisses on the Bottom is another album of by and large covers, this time formative pop standards Paul listened to every bit a youngster and two originals.
• Rod Stewart's Great American Songbook series of Can Pan Aisle standards, and all the similar albums by other artists (including Cyndi Lauper, Bette Midler and Art Garfunkel).
  • Older Than They Think: Ringo Starr did it first with his 1970 anthology Sentimental Journey.
• Under the Influence by Alan Jackson.
• Timeless by Martina McBride.
• Starting Over past Reba McEntire.
• LeAnn Rimes' Self-Titled Anthology.
• Paul Anka's Rock Swings.
• Mockingbird by Allison Moorer.
• Songs We Didn't Write past Ghoti Claw.
• Greased by Less Than Jake is the songs from Grease in their Ska Punk style. TV/EP does the same with Television receiver Theme Tunes and commercial jingles - though it's an EP with an under 20 minute runtime, they manage to fit sixteen songs in.
• Osso'southward Run Rabbit Run is an odd deadline example. They covered the entirety of Sufjan Stevens' anthology Savor Your Rabbit, just Osso themselves had gotten their showtime backing Sufjan on two of his prior releases (Illinois and Song For Christmas, Vol. 5).
• Coverkill by Overkill.
• Four Year Strong Explains It All, a cover album consisting entirely of Four Yr Stiff doing 90s songs.
• Westlife's Allow Us to Be Frank is entirely composed of Frank Sinatra covers. Yeah, the championship is a pun.
• Camper Van Beethoven covered the unabridged Fleetwood Mac album Tusk (under the same album title, of course).
• Cracker'south Countrysides consists of seven country covers, one Bruce Springsteen cover performed land style, and ane original song.
• The Residents, being big fans of The Embrace Changes the Meaning and the Concept Album, take quite a few: The Third Reich 'n Roll is two sidelong medleys of deranged '60s and '70s pop covers, The King and Centre consists of Elvis covers with some between-vocal narration nigh the ascent and fall of Elvis himself, George And James covers George Gershwin and James Dark-brown, and Stars And Hank Forever covers John Phillip Sousa and Hank Williams. The latter ii were originally going to be office of a lengthy series of ii-artist embrace albums that eventually got scrapped.
  • I Am A Resident! is an odd deconstruction of a "tribute anthology": Start the ring asked fans to submit their own cover versions of Residents songs, then they created "mash ups" by combining elements of unlike covers of the same song with each other.
• Ministry'due south The Cover Up, which combines three previously released cover songs with covers recorded specifically for the album.
• A Perfect Circle's Emotive, an anthology of politically-themed covers with a pair of original songs. Interestingly, those two originals are really only kind of original - "Counting Bodies Like Sheep to the Rhythm of the War Drums" is a drastic re-arrangement of their earlier song "Pet", while "Passive" was originally co-written past members of the band and Trent Reznor for the defunct Super Group Tapeworm.
• Vanilla Fudge's 1967 self-titled debut consists of covers of hit songs from the previous iii years, including one of the Supremes' "Y'all Go along Me Hangin' On", all of them with slower tempos, thundering rhythms and dramatic vocals.
• Beach Boys' Party! by The Beach Boys was a quickly-recorded cover anthology to buy Brian Wilson more time to create Pet Sounds.
  • And on the subject of Brian Wilson, the man himself recorded 2 comprehend albums consisting of George Gershwin and Disney tunes, respectively.
• Michael McDonald recorded 2 albums of Motown covers.
• Sacred Cows by The Swirling Eddies was an album of parodic embrace versions (often employing Stylistic Suck) of the most pop Christian rock songs of the moment. Thus, De Garmo and Key's "God Good Devil Bad" was performed equally if Terry Scott Taylor was recovering from a blow to the head; Amy Grant's "Baby Baby" was performed similar a hotel lobby karaoke performance; dc Talk'southward "I Luv Rap Music" was performed in lounge lizard mode.
• The Hollies had a few. Hollies Sing Dylan was an album of Bob Dylan covers, and Buddy Holly was an album of Buddy Holly covers. Additionally, the group's first album, Stay with the Hollies, contained 14 tracks, only i of which was an original composition.
• George Michael'due south Songs from the Last Century, an anthology of covers by and large from the 20s to the 50s.
• Toto released Through the Looking Drinking glass, all covers of songs which inspired the band.
• Robbie Williams recorded Swing When You're Winning, its title a pun on his previous album Sing When You're Winning, post-obit the success of a song for the Bridget Jones' Diary soundtrack. It featured ane original song which fit in with the theme and which Robbie had waiting for a suitable album to release it on, and several duets including ones with Nicole Kidman and the late Frank Sinatra.
• UB40 released four different cover albums, each titled Labour of Love.
• Joy Electric'south Favorites at Play. Ronnie Martin of JE initially wanted to record an anthology covering the songs and artists that had influenced him. So he realized that it would have been a agglomeration of 80s songs, and the last thing the globe needed was yet some other piece of 80s nostalgia. And then he swung in the opposite direction and covered a bunch of songs that had merely been released in the prior five years (2004-2009).
• Foo Fighters' limited edition Medium Rare.
• Live Frogs Set 2 by Les Claypool's Frog Brigade is an entire-anthology cover of Animals by Pink Floyd. Live Frogs Ready one also consists only of covers, simply most of them were originally by some of Les Claypool's other projects.
• On the outset album by Fozzy (the cocky-titled one), 8 out of ten songs are covers.
• The Hit List past Joan Jett.
• The Director'southward Cutting by Fantômas, which has them covering movie themes in their own avant garde metal fashion.
• Ascension To a higher place by Dirty Projectors is a comprehend of nigh of Blackness Flag's Damaged. Information technology's pretty far afield from the original versions, in function because band leader Dave Longstreth hadn't heard the actual album in 15 years and purposely avoided revisiting the material aside from the lyrics.
• Metalcore band Coalesce take There Is Zippo New Under the Dominicus, an EP of Led Zeppelin covers. A later reissue stretched information technology to album length past including more than covers (of The Get Up Kids, Boysetsfire, Blackness Sabbath and Undertow), one original, and some alternate takes of the Zeppelin songs.
• The Crust Brothers' only release, Marquee Mark, is a alive set consisting almost entirely of covers (notably the starting time vi songs are all either past Bob Dylan or else are songs by The Band that first appeared on Dylan and The Band's Basement Tapes). The rendition of Silkworm's "Never Met a Man I Didn't Similar" may or may not qualify as a encompass because The Crust Brothers were Silkworm collaborating with Pavement's Stephen Malkmus.
• Def Leppard had the anthology Yeah!, which covered songs by some of their main influences.
• Michael Bolton released Timeless: The Classics, which was recorded at least in part to spite critics who went afterwards him for doing so many encompass songs (ane of which had won him a Grammy).
• Aerosmith'south Honkin' on Bobo, in which they embrace erstwhile blues songs.
• Claw Hammer'due south Q: Are We Not Men? A: We Are Non Devo is a rails for runway cover of Devo'due south Q: Are Nosotros Not Men? A: We Are Devo!. It too included covers of Brian Eno's "Blank Frank" and Patti Smith's "Pumping (My Centre)", forth with a short jokey Led Zeppelin medley and an introductory skit explaining their reasoning backside covering the anthology.
• Petra Haden (who played in alternate band that dog, and did some violin for the Foo Fighters) did an a cappella version of The Who Sell Out past The Who - as in, every unmarried instrument was covered with her voice. Her after album Petra Goes to the Movies generally takes the aforementioned all a capella approach to songs from film scores - this time in that location were a few covers that included conventional instruments.
• Counting Crows' Underwater Sunshine: While there are a few pretty well-known songs on the album (Bob Dylan'south "Yous Ain't Goin' Nowhere", Pure Prairie League'south "Amie", and The Faces' "Ooh La La", for instance), the overall focus seemed to be on covering artists that they feel deserved more attention.
• The Insane Clown Posse's Smothered, Covered, & Chunked is an album that's merely found in a certain edition on their The Mighty Death Pop! album. They do have other artists on some of their covers, such as Lil Wyte, Limp Bizkit frontman Fred Durst, and the rest of their Psychopathic Records artists, and although they practice include some pop songs (such equally Christina Aguilera'southward "Beautiful", Tears for Fears' "Shout", Michael Jackson & Mick Jagger'southward "Land of Shock", and even Yo Gabba Gabba!'s "Hold Still"), information technology's basically them roofing the late '80s/early-to-mid '90s rap artists that concluded up influencing them.
• Thou. McCarty's Expressionless Domestic dog'southward Eyeball: Songs of Daniel Johnston. Another case of a one album band whose only release is a comprehend album - though she previously sang original material as a member of the ring Drinking glass Middle, she only did a solo album in the hopes of helping Daniel Johnston go some more recognition, and hasn't released anything else since.
• Dump's That Skinny Motherfucker with the Loftier Voice? is an album of lo-fi Prince covers - though technically "A Love Baroque" was a Sheila E. song with heavy involvement by Prince. By the way, the Intentionally Awkward Title is a Shout-Out to the Prince vocal "Bob George", which doesn't really get covered on the album.
• Gaz Coombes and Danny Goffey of Supergrass formed a cover band side project called The Hotrats - their lone album Turn Ons consisted of 12 encompass songs.
• Mark Kozelek of Red House Painters and Lord's day Kil Moon has an AC/DC cover album titled What's Side by side to the Moon? as well equally Sun Kil Moon'southward Modest Mouse encompass album Tiny Cities.
• Patti Smith'due south album Twelve is a collection of famous rock songs such as "White Rabbit" and "Gimme Shelter".
• Laibach covered almost all of Let It Be in pseudo-fascist industrial mode, minus the title track, and with "Maggie Mae" replaced past a German folk song.
• Uncomplicated Minds "Neon Lights" album, and the bonus disc of "Graffiti Soul", "Searching for the Lost Boys".
• Mandy Moore recorded "Coverage" in 2003, a drove of covers of '70s and '80s songs. Information technology was 1 of her first albums that allowed her to break out of the Pop Princess stereotype.
• In The '90s, there was something of an unofficial series of albums where a punk band would cover a The Ramones anthology in full. Screeching Weasel'south 1992 cover of Ramones seemed to kick off the trend, and was notable for emulating the original album'south product past consistently placing the guitar in the left speaker and bass in the right. Afterwards came The Victims' Leave Dwelling house, The Queers' Rocket to Russia, The Mr. T Feel'southward Road to Ruin, Parasites' Information technology'southward Alive! ^annotation which has the boosted gimmick of using the mangled, Mondegreen-filled lyrics printed in the Japanese edition of the album rather than the existent ones, Boris The Sprinkler's End of the Century ^notation Vocalizer Rev. Norb adds one of his trademark Motor Mouth monologues to the start of "Exercise You Remember Rock Due north' Gyre Radio?", in which he introduces the record as "a recreation of one of the worst Ramones albums known to man", and Beatnik Termites' Pleasant Dreams.
  • Ramones themselves have Acid Eaters, which much similar Rush'due south Feedback above, is mainly a drove of 60s songs that influenced them.
• Holly Cole did an entire album of Tom Waits covers chosen "Temptation".
  • Anywhere I Lay My Caput by Scarlett Johansson is too a tribute to Tom Waits.
• Chulahoma by The Black Keys is a tribute to Mississippi bluesman Junior Kimbrough. The last track is an answering machine message left past Kimbrough's widow commending the band.
• Ulver's Childhood's End is made upwardly entirely of covers of more often than not very obscure songs from the tardily-sixties psychedelic era. By far the all-time known vocal covered is Jefferson Aeroplane'south "Today".
• Side 1 of Todd Rundgren's Faithful features his virtually-perfect reproductions of '60s songs from The Beatles, The Beach Boys, The Yardbirds, Bob Dylan, and Jimi Hendrix.
• Melvins' Everybody Loves Sausages is a fairly eclectic one, with material ranging from obscure Hardcore Punk songs to Venom, Queen, Throbbing Gristle, and the title theme to early John Waters film Female Problem.
• Local H's Crawly Mix Record Vol. 1, as well equally its sequel.
• A fusion of both types with Santana's Guitar Heaven: Carlos playing archetype rock nether the voices of a who's who of 90s/early 00s vocalists, including "Whole Lotta Love" with Chris Cornell,"Smoke on the Water" with Jacobby Shaddix, and "Riders on the Storm" with Chester Bennington (and Ray Manzerek!).
• The Blue Aeroplanes' 2007 Harvester album is a single label tribute. The Aeroplanes were signed to Harvest Records (EMI's banner for Progressive Rock and related genres), and the album consisted of their covering songs by various Harvest bands (nearly notably Pink Floyd and Deep Majestic).
• Clan of Xymox's Kindred Spirits includes covers of David Bowie, Depeche Mode, Ix Inch Nails, Siouxsie and the Banshees, The Cure, The Sisters of Mercy, Radiohead, and Joy Partitioning/New Order.
• Sonique's Don't Give a Damn consists of James Bond theme tune covers.
• The Anthems EP past Anthrax focuses entirely on songs from the '70s, which is reasonable for a band with some 20-xxx embrace songs across their discography. The title comes from "Anthem" by Rush (ane of the songs performed).
• Anastacia'due south Information technology's a Man's Globe, a cover album of songs originally performed by male artists or singers (such equally Kings of Leon, Guns N' Roses, Foo Fighters, and Led Zeppelin).
• Nick Cave and the Bad Seeds' Kicking Confronting the Pricks, a very varied assortment of folk, blues, country, rock and pop numbers.
• Billie Joe Armstrong and Norah Jones' Foreverly is a vocal for song embrace of The Everly Brothers' Songs Our Daddy Taught The states. Songs Our Daddy Taught Usa itself consisted entirely of cover songs and traditional folk songs, which makes Foreverly a cover album of a cover album.
• Billie Joe Armstrong released a series of covers on Green Day's YouTube channel during the Covid-19 lockdown of 2020. They were compiled every bit No Fun Mondays.
• Garth Brooks' Arraign Information technology All on My Roots box gear up contains iv CDs of covers, each with its own title (Blue Eyed Soul, Classic Stone, Country Classics, and Melting Pot).
• Richard Thompson's 1000 Years of Pop Music, which goes in chronological guild from "Sumer Is Icumen In" to "Oops I Did It Again". Supposedly, this was inspired when Playboy magazine asked him for his listing of "greatest songs ever", and accused him of trolling when it included songs over fifty years erstwhile.
• John Legend & The Roots' Wake Up! is based around covers of Soul songs from the '60s and '70s - more specifically ones that were lesser-known and had lyrics dealing with social and political themes. Though several of the interpretations include new A Wild Rapper Appears! verses, the only fully original song is closing track "Shine".
• Robert Plant and Alison Krauss' Raising Sand, which had the duo working with a bankroll band and covering songs chosen past Record Producer T-Bone Burnett. There is one vocal that could sort of exist termed an original: "Delight Read the Letter of the alphabet" was co-written by Plant, but information technology's a new recording of a song that starting time appeared x years before on the Jimmy Page And Robert Plant album Walking Into Clarksdale.
• Happy Together by the Leningrad Cowboys with the Alexandrov Cherry-red Army Ensemble.
• We Shall Overcome: The Seeger Sessions by Bruce Springsteen, a collection of folk songs, about of which were recorded by folksinger Pete Seeger.
• Mutt by Lost Dogs is an odd one. Lost Dogs is a supergroup, consisting (at the time of Mutt) of the frontmen of Daniel Amos, The 77s, and The Choir. For that album, they covered songs by all 3 of those bands—with each member only singing on the songs they didn't originally write.
• Songs by psychedelic Soul band Rotary Connection is a collection of radically-altered embrace versions of artists ranging from Otis Redding to The Rolling Stones, and no less than 3 Cream songs! With Minnie Riperton (yes, who later be famous for "Loving Yous" years later) on lead vocals on most when she isn't doing who trademark high-pitched backing vocals.
• Francesco Zappa (1984) by Frank Zappa is an unusual example equally Zappa used plays music by 18th century classical composer Francesco Zappa on his Synclavier computer. In other words, he doesn't actually encompass him equally he simply lets his computer play the scores.
  • The All-time Ring You Never Heard in Your Life is a double Alive Anthology where Zappa plays highly unique covers of Johnny Cash's "Ring of Fire", Tony Bennett's "I Left My Heart in San Francisco", Maurice Ravel'due south "Boléro", Jimi Hendrix' "Regal Brume", Cream's "Sunshine of Your Honey", the traditional "When Irish Optics Are Smiling", the theme from The Godfather, the theme from Bonanza and Led Zeppelin's "Stairway to Heaven".
• Switched-On Bach by Wendy Carlos is an example of Electronic Music playing piece of work by Johann Sebastian Bach.
• V Alive Yardbirds past The Yardbirds is comprised of goose egg merely blues and R&B covers, all played live.
• Going Back by Phil Collins is an album of his versions of soul and Motown standards from The '60s.
• Under the Covers by Ninja Sex Political party in collaboration with Tupperware Remix Party. Covers a pick of tardily '70s and '80s songs, including "Rock with You" by Michael Jackson, "Take on Me" past a-ha, and "Everybody Wants to Rule the World" past Tears for Fears. The album'southward follow-upwardly, appropriately titled Nether the Covers Vol. 2, features solely '80s songs.
• Linda Ronstadt recorded a trio of albums of jazz standards in the 1980s (What's New, Lush Life and For Sentimental Reasons) with the Nelson Riddle Orchestra, followed in 2004 with another album of jazz standards (Hummin' to Myself) with a jazz philharmonic.
  • Ronstadt's 1987 album Canciones de Mi Padre was a collection of traditional Mexican folk songs.
• New Found Glory have From the Screen to Your Stereo and From the Screen to Your Stereo Function II, which are the Signature Songs from well known movies like Titanic and Napoleon Dynamite, and the Mania EP, which consists of The Ramones songs.
• Marsheaux's A Cleaved Frame is a full-length cover of the Depeche Way album of the same name.
• Apoptygma Berzerk'southward Sonic Diary.
• Red Hot Chili Peppers' digital-but Rock & Coil Hall of Fame Covers EP: To celebrate being inducted into the Rock & Roll Hall Of Fame themselves, the ring released an EP of covers of past inductees. All six covers were previously released (the already-mentioned cover of Ramones' "Havana Affair" also appears hither, for example), but four of them were previously unavailable digitally.
• Data Gild's Orders of Magnitude, which even covers "Capital I" from Sesame Street and "Heffalumps and Wooozles" from The Many Adventures of Winnie the Pooh.
• Marvelous Clouds by Aaron Freeman consists entirely of Rod McKuen covers.
• NateWantsToBattle:
  • The album Thnks fr th Cvrs contains his takes on mainstream songs like "Thnks fr th Mmrs", "Victorious" and "Miserable at Best".
  • Genesis contains anime covers like "The Asterisk State of war" and "Crazy Noisy Baroque Town".
• Whitesnake has an unusual case in The Majestic Anthology, where all of the songs are Deep Purple ones... dorsum when Whitesnake frontman David Coverdale was in said band.
• Another unusual example is Lionel Richie's 2012 anthology Tuskegee, made up entirely of reinterpretations of songs he wrote in full or part. Most are from Richie'due south solo career, though a couple were kickoff recorded by his former band Commodores and ane past Kenny Rogers. As for the reinterpretations, all but i are collaborations with then-current country acts; the exception is one with Jimmy Buffett.
• Powerman 5000's Copies Clones & Replicants.
• Leaether Strip'due south album of Depeche Manner covers.
• Ann Wilson'southward Immortal, meant to pay tribute to stone or pop musicians who passed abroad in the 2010s - the significance of the championship being that their music would ever be remembered. About of the original artists were primarily solo performers, but sometimes she covers songs by groups in accolade of 1 item fellow member: For instance, Chris Cornell is represented by "I Am The Highway" (originally by Audioslave) rather than a song from any of his solo albums.
• Ricardo Iorio:
  • Hermética's "Intérpretes".
  • Every bit a solo creative person, he has "Ayer Deseo, Hoy Realidad" and "Tangos y Milongas".
• Weezer (The Teal Album) by Weezer
• Peter Hollens: In "The Greatest Showman A Capella", he sings multi-track vocals of the unabridged songtrack from The Greatest Showman.
• Duet All Nighttime Long by Reel Big Fish and Zolof The Stone And Roll Destroyer: Every other track is one of the aforementioned bands or the other performing a embrace. The other gimmick is that every song is performed as a duet - Zolof'southward Rachel Minton appears on every Reel Big Fish runway, and Reel Big Fish'due south Aaron Bartlett appears on almost every Zolof runway (On Zolof's version of "Say Say Say", Reel Big Fish'south Scott Klopfenstein gets to Step Upward to the Microphone instead)
• A Flower Bookmark and A Flower Bookmark two by IU are remake albums, a tribute to some classic Korean songs she admires.
• Leeni's Lovefool EP covers songs from Baz Luhrmann'due south Romeo + Juliet, including The Cardigans' "Lovefool".
• Pabllo Vittar's debut EP, Open Bar, consists entirely of Portuguese versions of pop songs.
• "Reload" by Tom Jones is, with the exception of newly-written "Sex Flop", entirely cover versions of other artist'south songs recorded as duets with a third artist/ring e.grand. a cover of "Burning Down the House" past Talking Heads every bit a collaboration between Jones and The Cardigans.
• Zonkey by Umphree's McGee is a brew-upward cover album - based on a characteristic of their live Halloween sets, they combine elements of 2 or more than comprehend songs into i track, sometimes adding pieces of their ain original songs as well. For instance "National Loser Anthem" starts out as the lyrics of Beck's "Loser" set to the music of Radiohead's "National Anthem", and eventually adds "In The Air Tonight" into the mix.
• Built To Spill Plays the Songs of Daniel Johnston. After being asked to perform as Daniel Johnston'due south backup ring for a few dates of a tour, Built to Spill decided to tape their arrangements of his songs in studio (with Doug Martsch on vocals) without any intention of actually releasing them. Later Johnston's death, they decided to put the album out as a tribute.
• Existent Life's Send Me an Angel - 80s Synth Essentials includes a 2009 remake of their own "Send Me an Angel" and 12 other covers of 80s synthpop hits such every bit "Sweet Dreams", "Fade to Grayness", "Cars", "Everything Counts", "Blue Mon", "Primary", "Shout", "Tainted Honey", and "The Model".
• Peripheral by Matt Mancid & Color Theory covers a diverseness of now-obscure '80s gems, including Peter Gabriel's "Mercy Street", New Society's "Anniversary", The Blueish Nile's "Tinseltown in the Rain", Depeche Mode's "The Sun and the Rainfall", The Cure's "Kyoto Song", the Pet Shop Boys' "Rent", The Psychedelic Furs' "The Ghost In You", Erasure's "Piano Song", Prefab Sprout'southward "The Ice Maiden", and Soft Cell's "Say Hullo, Wave Goodbye".
• A Pilot Projection, a 2014 release by the Scottish ring Pilot, consists entirely of Alan Parsons Projection covers. The album (whose complete title includes the phrase "A Return to The Alan Parsons Project") marked the 40th anniversary of Pilot'due south start album, which Parsons had produced. 3 of the Pilot members who worked on their debut album went on to work with the APP, and the album is explicitly a tribute to the APP in general and that grouping'southward by-then-deceased Eric Woolfson in particular.
• Grace Jones' offset 5 albums were predominantly cover albums, with the latter 2 gradually incorporating original material besides (while still by and large consisting of song covers); Jones would shift to recording albums of predominantly original material from her 6th anthology, Living My Life, onwards.
• Noah'south 2016 anthology Sings Legends is entirely consisted of their cover of Indonesian songs that were famous in the 80s and 90s.
• Mujer Divina – Homenaje a Agustín Lara is a tribute album past Natalia Lafourcade made of songs by Mexican singer Agustín Lara.

Holiday themed albums:

• Merry Christmas past Bing Crosby, the best-selling Christmas anthology of all time, all covers.
• Christmas in the Middle past Bob Dylan, an anthology full with covers of Christmas carols.
• Weezer's Christmas With Weezer EP, likewise consisting entirely of Christmas carols. The band originally recorded the songs for a Tap Tap mobile Rhythm Game of the same name, then released the songs on their own with alternate mixes and added bankroll vocals.
• Bad Religion's Christmas Songs - there's one original, and it'southward The Not-Remix of one of their one-time singles, "American Jesus".
• Erasure's Snow Globe features covers of both well-known and obscure Christmas tunes, in addition to the five original songs.
• Winter Carols by Blackmore's Night mostly comprises covers of Christmas songs, performed in the way of Renaissance folk music past former Deep Purple guitarist Ritchie Blackmore.

Encompass albums by artists who are predominantly cover artists.

• A lot of folk, state and traditional music performers will bring out albums where they play traditionals and standards, rather than their own material.
  • In fact, during the 1950s and 1960s, it was common for many state artists to record albums of songs entirely by 1 detail songwriter; ane notable instance is Cadet Owens' 1961 album Buck Owens Sings Harlan Howard. Frequently, several of the songs on such albums had been (or would subsequently be) big hits for other artists. I case on Owens' Buck Sings Harlan anthology is "Heartaches past the Number", which had been a height 5 land hit for Ray Price two years earlier.
• The Complete Hot V and Hot Seven Recordings by Louis Armstrong is a collection of mostly traditionals and jazz originals that were circulating around the time Armstrong and his band recorded them. Some of them are own compositions, but most of them were already covers dorsum then.
• The Complete Recordings by Robert Johnson is an album with all his recordings, however about of them were traditionals and blues songs that other artists were already singing at the time. Johnson covered them, added his own lyrics here and at that place and used dissimilar melodies sometimes also.
• Billie Holiday covered other people's songs, but she managed to brand the material personal by her delivery and the listener's knowledge of her tragic life. A good example is her album Lady in Satin, which was recorded one year earlier her decease.
• Jazz singer Sarah Vaughan'due south unabridged career is made of cover albums, including Sarah Vaughan with Clifford Brown (1957) and Alive in Nihon (1973).
• Frank Sinatra mostly covered textile by songwriters, equally was mutual for crooners in his day. Examples are the albums Songs for Young Lovers and Songs for Swingin' Lovers!. Even My Style is a complete cover album.
• Elvis Presley's Elvis Presley, Elvis (NBC TV Special) and From Elvis in Memphis are all embrace albums, since Elvis never wrote his own material.
• With a Little Help from My Friends and Mad Dogs and Englishmen by Joe Cocker; the latter is also a Live Anthology.
• Sid Vicious solo anthology Sid Sings (1979) has zilch but covers, except for one solo rendition of one Sexual practice Pistols song.
• The Muppets have brought out ii comprehend albums, Muppet Beach Party and Kermit Unpigged.
• The self-titled (and simply) album by Replicants was entirely covers of songs by artists active in the seventies, mostly split between New Wave Music (The Cars, Gary Numan, Missing Persons) and anthology rock (Steely Dan, Pink Floyd, John Lennon). Their name, aside from being a Shout-Out to Blade Runner, was also a tongue-in-cheek acknowledgement that they were merely replicating songs already written and performed by other artists. The grouping featured ex-members of tool and Failure, and the album was possibly best known for the fact that they got Maynard James Keenan to sing Paul McCartney'southward "Giddy Love Songs".
• The Iv Freshmen mostly did covers of jazz and pop standards, although they sometimes included an original or two in their albums.
• Songs of Jimmie Rodgers: A Tribute which featured artists similar Bob Dylan, Willie Nelson and Van Morrison doing covers of Jimmie Rodgers songs.
• Post Modern Jukebox'due south Retro stock and trade.
  • Ditto for the Vitamin Cord Quartet and all of their endless tributes. Hell, they've even washed a tribute to System of a Downward's Mezmerize and Hypnotize.
  • viii-Bit Universe, note for annotation but in 8-fleck!. Nigh of their albums are just random collections of whatever they last mixed, but they have done direct tributes for Linkin Park (in retention of Chester) and Queen (for Maverick Rhapsody).
• Leo Moracchioli, a multi-instrumentalist known for making metal covers of not-metallic songs on Youtube, has released the better office of iii dozen of these.
• The Kidz Bop series, currently on album 40, tries to cover songs only using children'due south voices. They have attracted some attention from Moral Guardians because of the fact that some of their songs have explicit lyrics.
  • For the Fifty-fifty younger fix there's the Rockabye Infant series, featuring lullaby renditions of songs by almost everyone (The Beatles, Elvis, Michael Jackson, Jay-Z, Taylor Swift, you name it!)

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Source: https://tvtropes.org/pmwiki/pmwiki.php/Main/CoverAlbum

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